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December 19, 2015 at 12:00 AM
Thank you very much for the new chapter. The sex scenes were hot, particularly the asuka/black guy scene, I would haved prefered a blowjob and anal sex scene between them, rather than something with Mari, who bring down every story she's in. I'm hoping in the next chapter you have a lot of scenes with Yui's carnal debauchery displayed.
Thanks for the new chapter.
Thanks for the new chapter.
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December 13, 2015 at 12:00 AM
Hideki Anno is a fat hypocrite, dunno why the person above me copy pasted an evangelion review in here. I know that Anno, an otaku himself, gets butthurt when otaku masturbate to his supposed "fuk u nerds" show but if you're disgusted by it, then why in all fuck are you here. Oh wait, that review is months old and the person who wrote it is probably long gone.
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August 29, 2015 at 12:00 AM
Asuka and Rei are fetishized and that Hideaki Anno criticism. The Japanese authors of fanfiction Innocent Taboo are what Hideaki Anno most critical. They not learned anything from the Anime and used the characters to suit your perverted fantasies.
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“I don’t see any adults here in Japan. The fact that you see salarymen reading manga and pornography on the trains and being unafraid, unashamed or anything, is something you wouldn’t have seen 30 years ago, with people who grew up under a different system of government. They would have been far too embarrassed to open a book of cartoons or dirty pictures on a train. But that’s what we have now in Japan. We are a country of children.” – Hideaki Anno
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The audience proxy – one of the most beloved and reviled characters in anime history. Shinji Ikari. The boy spurned by the world, surrounded by people too caught in their own issues to do anything but use him, he himself too afraid of rejection to seek out human connection. Shinji is certainly a pointed character, but not an unsympathetic one – in fact, the layers of humanity written into his character make him even today one of the most recognized figures in anime history. His fear and failure and continuous attempts to avoid that which might hurt him are a reflection both of Anno’s own humanity and the humanity he saw in those he wanted to influence. Shinji might as well be the human face of anime itself.
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But again, Evangelion is not a cynical work. Though Shinji wallows in self-pity and fears human interaction, he does not live without hope. Ultimately, he chooses to reject the comforting fantasies of instrumentality – he chooses to live as an individual, one who must reach out and touch others even knowing it will cause him pain. Shinji ultimately grows up, and through his triumph you can see the underlying optimism Anno feels towards his nation of grown up boys.
,
You can’t blame him, really. Among the many accolades heaped upon Evangelion, it’s even been perhaps sarcastically called “anime’s Citizen Kane moment.” This is hyperbole, of course – everyone wants their Citizen Kane moment. But the comparison is actually a kind of interesting one, if only in a negative sense. Citizen Kane was important because it helped demonstrate the things only film can do – the structural power, the way the frame can be so much more than simply a window to a stage play (though obviously it wasn’t the first to demonstrate this). Evangelion does sort of do that, though it was hardly the first either – it certainly uses animation to tell a story that would otherwise be nearly impossible. But I think the more pointed comparison to make here is to what Evangelion actually did. Though its messages were largely concerned with opening the windows on the lives of anime viewers and casting a harsh light on their fantasies, did the works to follow reflect these themes?
.
Not at all. Creators saw the success of Evangelion and didn’t think “it’s time for anime to grow up and stop catering to these fantasies,” they thought “look how much people love these articulations of these fantasies! Look how much people like dark robot shows! Let’s make those!” It’d be like if directors watched Citizen Kane and thought, “what people really need are more stories about newspaper magnates!” No, even worse – it’d be like if they watched it and thought “what an inspiring story about a wealthy, successful man! If only we could all be so lucky!” They saw the tropes used in Evangelion, but didn’t follow through with the show’s indictment. And who could blame them? The fans certainly wouldn’t.
.
Evangelion became popular. Incredibly so. Perhaps it initially did resonate in the way that was intended – but in the years since Evangelion, anime has not grown up. Asuka and Rei are fetishized and copied again and again, not held up as the last gasp of their archetypes. In the years since Evangelion, works that you could truly call post-Evangelion have been the exception, not the rule.
.
Evangelion content to hide its human focus and strident message behind a sci-fi facade – this is what Evangelion is, and this is what it has always been trying to say. This is Shinji’s story – the story of a scared boy who isn’t sure how to move forward, and the story of every single person out there the truth of his journey reflects.
.
“It is a story of the resolve to want to be together, even though it is frightening to have contact with others and to endure ambiguous loneliness.” – Hideaki Anno
.
Rebuild isn’t a deeply optimistic work. As angry as he comes across, Anno also clearly loves what he does – he wouldn’t make these if he didn’t, and he wouldn’t be hammering on these same messages in such strident fashion if he didn’t think there was still good to be done. 3.33 has spawned some very angry reactions, but so did episodes 25 and 26 back in the day – at that point, his actions were partially based in financial necessities, but those episodes still said what he wanted to say. Asuka might as well be Anno’s own mouthpiece at the end of 3.33 – though she yells at Shinji for his weakness, she grabs his hand and drags him towards the future all the same.
.
“I don’t see any adults here in Japan. The fact that you see salarymen reading manga and pornography on the trains and being unafraid, unashamed or anything, is something you wouldn’t have seen 30 years ago, with people who grew up under a different system of government. They would have been far too embarrassed to open a book of cartoons or dirty pictures on a train. But that’s what we have now in Japan. We are a country of children.” – Hideaki Anno
.
The audience proxy – one of the most beloved and reviled characters in anime history. Shinji Ikari. The boy spurned by the world, surrounded by people too caught in their own issues to do anything but use him, he himself too afraid of rejection to seek out human connection. Shinji is certainly a pointed character, but not an unsympathetic one – in fact, the layers of humanity written into his character make him even today one of the most recognized figures in anime history. His fear and failure and continuous attempts to avoid that which might hurt him are a reflection both of Anno’s own humanity and the humanity he saw in those he wanted to influence. Shinji might as well be the human face of anime itself.
.
But again, Evangelion is not a cynical work. Though Shinji wallows in self-pity and fears human interaction, he does not live without hope. Ultimately, he chooses to reject the comforting fantasies of instrumentality – he chooses to live as an individual, one who must reach out and touch others even knowing it will cause him pain. Shinji ultimately grows up, and through his triumph you can see the underlying optimism Anno feels towards his nation of grown up boys.
,
You can’t blame him, really. Among the many accolades heaped upon Evangelion, it’s even been perhaps sarcastically called “anime’s Citizen Kane moment.” This is hyperbole, of course – everyone wants their Citizen Kane moment. But the comparison is actually a kind of interesting one, if only in a negative sense. Citizen Kane was important because it helped demonstrate the things only film can do – the structural power, the way the frame can be so much more than simply a window to a stage play (though obviously it wasn’t the first to demonstrate this). Evangelion does sort of do that, though it was hardly the first either – it certainly uses animation to tell a story that would otherwise be nearly impossible. But I think the more pointed comparison to make here is to what Evangelion actually did. Though its messages were largely concerned with opening the windows on the lives of anime viewers and casting a harsh light on their fantasies, did the works to follow reflect these themes?
.
Not at all. Creators saw the success of Evangelion and didn’t think “it’s time for anime to grow up and stop catering to these fantasies,” they thought “look how much people love these articulations of these fantasies! Look how much people like dark robot shows! Let’s make those!” It’d be like if directors watched Citizen Kane and thought, “what people really need are more stories about newspaper magnates!” No, even worse – it’d be like if they watched it and thought “what an inspiring story about a wealthy, successful man! If only we could all be so lucky!” They saw the tropes used in Evangelion, but didn’t follow through with the show’s indictment. And who could blame them? The fans certainly wouldn’t.
.
Evangelion became popular. Incredibly so. Perhaps it initially did resonate in the way that was intended – but in the years since Evangelion, anime has not grown up. Asuka and Rei are fetishized and copied again and again, not held up as the last gasp of their archetypes. In the years since Evangelion, works that you could truly call post-Evangelion have been the exception, not the rule.
.
Evangelion content to hide its human focus and strident message behind a sci-fi facade – this is what Evangelion is, and this is what it has always been trying to say. This is Shinji’s story – the story of a scared boy who isn’t sure how to move forward, and the story of every single person out there the truth of his journey reflects.
.
“It is a story of the resolve to want to be together, even though it is frightening to have contact with others and to endure ambiguous loneliness.” – Hideaki Anno
.
Rebuild isn’t a deeply optimistic work. As angry as he comes across, Anno also clearly loves what he does – he wouldn’t make these if he didn’t, and he wouldn’t be hammering on these same messages in such strident fashion if he didn’t think there was still good to be done. 3.33 has spawned some very angry reactions, but so did episodes 25 and 26 back in the day – at that point, his actions were partially based in financial necessities, but those episodes still said what he wanted to say. Asuka might as well be Anno’s own mouthpiece at the end of 3.33 – though she yells at Shinji for his weakness, she grabs his hand and drags him towards the future all the same.
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July 27, 2015 at 12:00 AM
The fanfiction has a dark side of the human being which are those capable of doing harm to someone like Yui, including satisfaction of their desires as musashi, Keita, Mana, ritsko, Mari, Kensuke and the like. Man can be seen as the one provided by a will to want to carry out your wishes and hurt someone who is hindering to realize their desires. Show a dark side of the human being. I think so, there is a cruel facerta of man that kills and harms other living beings and humans, inclusive.
It is unlikely that Asuka have accepted the abuse and have attached to their abuser when his will to live and their impulses to guarantee his life and physical integrity would hate him even wanting to avenge him. He no less than raped. Asuka should anything unless you want to take revenge on all those who did evil.
I can not believe that Asuka has no desire for revenge, to put poison in the food Yui, Mana and Musashi at least to die or you go and report it trims the police as occurs in cases of blackmail and sexual abuse. Taking Yui and Mana she holds no hate Musashi for the evil that you did and that's something too fanciful. Women when sex slaves and live in captivity hatred for their tormentors.
This is not a story that seeks to reproduce the human dark side realistically, a realistic psychological portrait of sexual abuse, but mere pornography to torture that is a fan of Asuka and shinji.
It is unlikely that Asuka have accepted the abuse and have attached to their abuser when his will to live and their impulses to guarantee his life and physical integrity would hate him even wanting to avenge him. He no less than raped. Asuka should anything unless you want to take revenge on all those who did evil.
I can not believe that Asuka has no desire for revenge, to put poison in the food Yui, Mana and Musashi at least to die or you go and report it trims the police as occurs in cases of blackmail and sexual abuse. Taking Yui and Mana she holds no hate Musashi for the evil that you did and that's something too fanciful. Women when sex slaves and live in captivity hatred for their tormentors.
This is not a story that seeks to reproduce the human dark side realistically, a realistic psychological portrait of sexual abuse, but mere pornography to torture that is a fan of Asuka and shinji.
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July 6, 2015 at 12:00 AM
Hideaki Anno never approved Nellore in his work. A clear cso is the series Nadia - The secret of blue water, which formed the basis for Evangelion, because the series had great success decided to enlarge to 39 chapters, he decided to delegate to third parties as collaborators, as he concentrated in the series finale . Episodes 23-34 were made by third parties.
In eisódios 32 and 33, Nadia protagonist falls in love with an African native muscular and set aside jean, a French boy she was dating. And pasosu treats you badly and was clinging to the native until it was rejected and returned against their will to the jean, but Anno in episode 35 ignored the Netore, and by the end it was as if it never existed. And when Anno made an issue of the series, he cut this Netore mercilessly.
Nadia fell in love with the native afriano and would leave her boyfriend who suffered rejection, acomo as shinji seeing Musashi and Asuka.
I do not think Anno agree with Netore, because in Asuka series so when he met never surrendered to anyone. When placed in a series he drove he cut.
In eisódios 32 and 33, Nadia protagonist falls in love with an African native muscular and set aside jean, a French boy she was dating. And pasosu treats you badly and was clinging to the native until it was rejected and returned against their will to the jean, but Anno in episode 35 ignored the Netore, and by the end it was as if it never existed. And when Anno made an issue of the series, he cut this Netore mercilessly.
Nadia fell in love with the native afriano and would leave her boyfriend who suffered rejection, acomo as shinji seeing Musashi and Asuka.
I do not think Anno agree with Netore, because in Asuka series so when he met never surrendered to anyone. When placed in a series he drove he cut.
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July 2, 2015 at 12:00 AM
Does Asuka will be able to get back at Yui, causing shinji what Yui did to her?
Will she try to manipulate the shinji, making it equal to it, to destroy the life of the Baka shinj, thus reaching the Yui?
Shinji will know what they did with Ayanami and will avenge it?
When you know everything about Mana, he will have the courage to break up with her?
Will have any chance of shinji end the Ayanami?
Will she try to manipulate the shinji, making it equal to it, to destroy the life of the Baka shinj, thus reaching the Yui?
Shinji will know what they did with Ayanami and will avenge it?
When you know everything about Mana, he will have the courage to break up with her?
Will have any chance of shinji end the Ayanami?
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July 2, 2015 at 12:00 AM
I am eager to know when shinji will find everything and will have the courage to start a vendetta against Yui and Keita, for what they did with Ayanami, ending with her at the end. He can not deixra sme punishment what they did to her.
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May 27, 2015 at 12:00 AM
This fanfiction has good sex scenes, very well written. In the next fafiction
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But it failed to convey the anguish that almost no one has.
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He focused almost exclusively on sexual abuse and physical pain, showing the psychological torture which the characters live. And that hinders the approach of trouble because almost appears only are sex scenes and little room for introspective scenes in which characters appear to be worsening or scenes that show how much suffering inside.
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Asuka is subjected to the successive King and sexual blackmail abuses. Asuka suffered great physical suffering as had sex or when quarreled with Shinji, suffering perhaps suicide to relieve giving him hope of his order, but if the fanficiton had intended to mix sex with psychological, Asuka and would shinji subjected to torture or death would solve or end. It would be an almost eternal suffering.
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Asuka live a personal hell of not being able to free him, not with death, living an endless agony. The suffering it would only grow to the point of death become the hope of salvation Asuka, but it would be denied. If free himself of herself, wanting to be someone else, the "I" of his own invention that would make your delight - although in another sense his case would be no less desperate - but the embarrassment of being this I she did not want to be, this would be his suplicio. Asuka could not free himself of herself, ending sue suffering, being forced to be who she wants to be. In her case be that poor girl who wants to be loved for apena short perverted. It would be an internal conflict.
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We see shinji amazed at the change in Asuka, what it has become, but does not live his personal hell and despair, in the case miss those he loves and be plunged into complete solitude. It has the Mana. In the series shinji increasingly been coming in agony when he lost those he loved. Rebuild when he found himself in a completely hostile world. Each character in the series was decomposing slowly sme to end their suffering, Asuka in denial of herself and shinji not assuming needed from other people and getting only. And with no physical violence, but purely psychological decomposition whose choices have led to complete personal ruin.
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Here we missed see Asuka with the mark of their desperation and denial of herself and her internal conflict. After the sexual abuse she seems at peace in his libertine life except when forced to leave home. She in no time proved conflict between what it is the life Yui want to play it. Not shinji suffering from loneliness and increasingly closing their hearts. Because mana was inserted and it relieves. His presence is unnecessary.
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Missed switch psychological scenes with the sex scenes.
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Good discretion of sex, but not a fanfiicton of despair and anguish.
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But it failed to convey the anguish that almost no one has.
.
He focused almost exclusively on sexual abuse and physical pain, showing the psychological torture which the characters live. And that hinders the approach of trouble because almost appears only are sex scenes and little room for introspective scenes in which characters appear to be worsening or scenes that show how much suffering inside.
.
Asuka is subjected to the successive King and sexual blackmail abuses. Asuka suffered great physical suffering as had sex or when quarreled with Shinji, suffering perhaps suicide to relieve giving him hope of his order, but if the fanficiton had intended to mix sex with psychological, Asuka and would shinji subjected to torture or death would solve or end. It would be an almost eternal suffering.
.
Asuka live a personal hell of not being able to free him, not with death, living an endless agony. The suffering it would only grow to the point of death become the hope of salvation Asuka, but it would be denied. If free himself of herself, wanting to be someone else, the "I" of his own invention that would make your delight - although in another sense his case would be no less desperate - but the embarrassment of being this I she did not want to be, this would be his suplicio. Asuka could not free himself of herself, ending sue suffering, being forced to be who she wants to be. In her case be that poor girl who wants to be loved for apena short perverted. It would be an internal conflict.
.
We see shinji amazed at the change in Asuka, what it has become, but does not live his personal hell and despair, in the case miss those he loves and be plunged into complete solitude. It has the Mana. In the series shinji increasingly been coming in agony when he lost those he loved. Rebuild when he found himself in a completely hostile world. Each character in the series was decomposing slowly sme to end their suffering, Asuka in denial of herself and shinji not assuming needed from other people and getting only. And with no physical violence, but purely psychological decomposition whose choices have led to complete personal ruin.
.
Here we missed see Asuka with the mark of their desperation and denial of herself and her internal conflict. After the sexual abuse she seems at peace in his libertine life except when forced to leave home. She in no time proved conflict between what it is the life Yui want to play it. Not shinji suffering from loneliness and increasingly closing their hearts. Because mana was inserted and it relieves. His presence is unnecessary.
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Missed switch psychological scenes with the sex scenes.
.
Good discretion of sex, but not a fanfiicton of despair and anguish.
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May 25, 2015 at 12:00 AM
Asuka will end up a slave to Kensuke and Touji.
Musashi abandoned, he who should give shelter to Asuka.
I doubt that shinji to accept back, he took her disgust. She will end up prostituting or Kensuke, but Shinji will not accept her back.
Musashi abandoned, he who should give shelter to Asuka.
I doubt that shinji to accept back, he took her disgust. She will end up prostituting or Kensuke, but Shinji will not accept her back.
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May 25, 2015 at 12:00 AM
The Yui threw her out of her home, she had to walk the line there, but still the Yui will not accept her back. And Shinji is so disgusted her, she can get nuazinha he will not want to see her. It will faezr what to fix things? Seduzid will it? He's with Mana.
You will end up in a brothel or selling to school children or to stay with Kensuke.
The end of the Asuka will be melancholy.
You will end up in a brothel or selling to school children or to stay with Kensuke.
The end of the Asuka will be melancholy.